WORKS
In Germany, Traven discovered his vocation. In Mexico, he discovered his voice.
In Germany, Traven, under the name Ret Marut, wrote mainly short stories as a sideline to five activities: merchant seaman, acting, directing, producing a political magazine and practicing revolutionary politics. In Mexico, he emerged as a fully fledged novelist under the name of B. Traven. He wrote his first five novels from the perspective of a member of the European underclass, which were partly autobiographical. His first book is about a sailor without documents who survives a shipwreck (Death Ship). In the next two books the hero is a foreign worker without documents in post WWI Mexico (Cottonpickers and Treasure of the Sierra Madre). His next two books are as a foreign observer of indigenous Mexicans (Bridge in the Jungle) and, finally, the clash of cultures between a traditional Indian community leader and a foreign capitalist (White Rose).
The following six books are a carefully planned cycle. Continuing as a champion of the oppressed, but this time of Mexico, not Europe, he describes the revolt of the Indians exploited in the logging camps (Monterías) in Chiapas, who finally rebel and revenge themselves on their masters. An epic masterpiece. In his last book, Aslan Norval, published 20 years after his previous one, he returns to autobiography describing a young female entrepreneur married to an older man who attempts to put together a major infrastructure project in the USA, with all the personal, economic, social and political problems that she is forced to confront.
SHORT STORIES
As Ret Marut in Germany, Traven produced short stories on a variety of subjects in a variety of styles. In Mexico, as B. Traven, his crafting of short stories was an act of literary alchemy – transforming raw encounters from Mexican cantinas, jungle trails, and port cities into tightly coiled narratives. Each tale functioned as both a polished gem of fiction and a smuggled manifesto. His pseudonymous identity enabled him to channel the voices of oppressed miners, rebellious peasants, and doomed adventurers with unsettling authenticity.